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(A.2) Constructing Narratives to Account For How the Situation Arrived at the Current Pass / Brea... |
Framing Model |
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To what extent, and in what ways, does a practitioner impose their own coherence, and/or their own values, on the situtation of practice (as opposed to being open and inclusive of other's values, and the ways participants might bring their own coherence to a situation)? |
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(A.2) Constructing Narratives to Account For How the Situation Arrived at the Current Pass / Brea... |
Framing Model |
Narrative Consistency and Usefulness (A.2.2) |
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What sorts of prejudices and preconceptions does the practitioner have that may influence their actions in the situation of practice? What personal desires or goals may influence their actions? To what extent do they work to overcome these or account for them? |
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(A.4) Acting in an Authentic Manner (Framing Analysis) |
Framing Model |
What is the degree of authenticity with which the practitioner acts, as opposed to adopting an artificial stance or not behaving towards participants in an honest, straightforward, and in-the-moment manner? |
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(A.5) Mediated Objects and Other Interventions Should Preserve Openness and Dialogicity (Framing ... |
Framing Model |
Openness and Dialogicity Pertaining to the Mediated Objects (A.5.1, A.5.2) |
To what extent do the representations, verbal and physical actions, and other sorts of interventions a pracititioner makes in the situation of practice, create and preserve communicative openness and a spirit of dialogue among the participants (as opposed to enshrining one point of view or a top-down/one-way mode of communication, or one that gives more weight/credence to some participants or positions than others)? |
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(A.5) Mediated Objects and Other Interventions Should Preserve Openness and Dialogicity (Framing ... |
Framing Model |
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(A.5) Mediated Objects and Other Interventions Should Preserve Openness and Dialogicity (Framing ... |
Framing Model |
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To what extent do the representational artifacts a practitioner has a direct hand in exhibit clarity of meaning, expressivenes of depiction and articulation, and helpfulness to participants within (and beyond) the situation of practice (as opposed to artifacts that are difficult to understand, inarticulate, or not useful)? |
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(A.6) Artifacts Should be Clear, Expressive, and Helpful (Framing Analysis) |
Clarity of Artifacts (A.6.1) |
Framing Model |
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What sort of gaps, breaches, or anomalies does the practitioner encounter, and how much / in what ways do they persevere in overcoming them (as opposed to giving up a desired course of action or direction)? What is the specific character of the checks/resistance from either people, materials, or situation, and how does that play into the way the practitioner either perseveres or doesn't? |
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(A.7) Perseverance in the Face of Checks and Resistance (Framing Analysis) |
Framing Model |
Rationale for Selection of Framing Elements to Analyze |
Resistance From Participants and Materials (A.7.3) |
Gives a sense of what practitioners must encounter/overcome in the course of their work. |
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(A.8) Clear and Focused Communication (Framing Analysis) |
Framing Model |
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(A.8) Clear and Focused Communication (Framing Analysis) |
Framing Model |
Rationale for Selection of Framing Elements to Analyze |
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(A.8) Clear and Focused Communication (Framing Analysis) |
Framing Model |
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(B.1) The Importance of Participants' Impulses and Desires (Framing Analysis) |
Addressing and Incorporating Participant Impulses and Desires (B.1.1, B.1.2) |
Framing Model |
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(B.2) Unfinalizability; Preserve Room for Surprise, Imagination, and Creativity to Emerge (Framin... |
Framing Model |
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(B.2) Unfinalizability; Preserve Room for Surprise, Imagination, and Creativity to Emerge (Framin... |
Framing Model |
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(B.2) Unfinalizability; Preserve Room for Surprise, Imagination, and Creativity to Emerge (Framin... |
Framing Model |
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(B.3) Dialogic Orientation (Framing Analysis) |
Framing Model |
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(B.3) Dialogic Orientation (Framing Analysis) |
Framing Model |
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(B.3) Dialogic Orientation (Framing Analysis) |
Framing Model |
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(C.1) Heightened Degree of Connection Between People, Setting, Purpose, and Medium (Framing Analy... |
Framing Model |
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(C.1) Heightened Degree of Connection Between People, Setting, Purpose, and Medium (Framing Analy... |
Framing Model |
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(C.1) Heightened Degree of Connection Between People, Setting, Purpose, and Medium (Framing Analy... |
Framing Model |
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(A.2) Constructing Narratives to Account For How the Situation Arrived at the Current Pass / Brea... |
Framing Model |
What narratives does the practitioner use to understand the events in the current situation, that give context to the ways breaches and anomalies occur as well as the actions they take to respond to them? To what extent are those narratives useful in constructing positive and helpful responses? To what extent are they evocative (as opposed to stultifying or constraining), and inclusive (as opposed to excluding or marginalizing aspects, people, or interests in the situation)? |
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Framing Analysis |
Framing Model |
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